Alexandra Mollof is an established and respected figure within the international art market with almost three decades of experience in building private collections.

Alexandra has coordinated and curated exhibitions in Brazil and the United States, most recently the first exhibitions in the North America of Brazilian Indigenous artist Aislan Pankararu at Salon 94 (New York, 2024) as well as of Chico da Silva at David Kordansky Gallery (New York, 2023).

She also works closely with the Estate of Abdias do Nascimento, a major artist, activist, poet, actor and politician (lets hyperlink this IPEAFRO), whose work will be the subject of an important retrospective at the The Walker Art Center (Minneapolis, 2026).

Alexandra is a supporter of various philanthropic art organisations and institutions such as:

– a Member of Tate‘s Latin American Acquisitions Committee;

– a Patron of Museu de Arte de São Paulo Assis Chateaubriand – MASP, São Paulo;

– a Founding Partner of Murmur;

– a Patron of Pivô, São Paulo;

– a Member of the Society of London Art Dealers (SLAD)

– an Active Member of Gallery Climate Coalition (GCC).

Prior to founding AMFA, Alexandra was one of the first directors at White Cube (1999-2008) and worked with renowned art dealer Dominique Lévy (1996-1999) and at Sotheby’s in Geneva (1995).

Alexandra holds a BA (Hons) in Political Science and International Relations from the University of Geneva and an MA in 20th Century Art from Christie’s Education in London.

Over the last 15 years, Paulo Petrarca has built a very strong profile in Brazil as an independent art advisor, establishing tight relationships with a vast network of collectors, curators, artists and art specialists in the country and is today a leading reference for Brazilian collectors who want to acquire international art.

Paulo Petrarca and Alexandra Mollof met in the early 2000s and started working closely together establishing an official partnership in 2009. This association created a real bridge for their clients, with strong cross-fertilisation between the Brazilian and the international art markets. This new structure opened up new opportunities for their Brazilian clients wanting to purchase international art but also enabled them to introduce the work of many Brazilian artists to international clients.

Parallel to his activity as an art advisor, Paulo Petrarca has organised important exhibitions of British Art in Brazil, supported by Cultura Inglesa and the British Council, including Painting as a Foreign Language in 2002, Paper Democracy in 2004, Fast Forward in 2010, Concrete Parallels in 2012 and Nostalgia para o Futuro (in association with Lisson Gallery) in 2013, all at Centro Brasileiro Britânico, São Paulo.

Isabel Millman joined Alexandra Mollof Fine Art in 2016. Prior to joining she gained a broad experience in the commercial art sector through working with private collections, auction houses and galleries. She is a graduate of the Courtauld Institute of Art with Bachelors and Masters degrees in Art History, specialising in Modern British and French art of the 20th century.